A) arbitrary color.
B) artistic color.
C) secondary color.
D) oblique color.
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Multiple Choice
A) warm
B) cool
C) both
D) neither
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A) composition.
B) style.
C) palette.
D) spectrum.
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A) "layered" pointillism.
B) "lusterless" and "murky."
C) "polychromism as its best."
D) All of the above.
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A) Rembrandt van Rijn
B) Isaac Newton
C) Gianlorenzo Bernini
D) Jacob van Ruisdael
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A) luminous perspective
B) aerial or atmospheric perspective
C) two-point linear perspective
D) axonometric projection
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A) fallen autumn leaves
B) cut-out paintings of leaves
C) digitally scanned and printed images of a leaf
D) fabric made to look like leaves
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A) warmer and more detailed
B) cooler and less distinct
C) warmer and less distinct
D) cooler and more detailed
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A) chromaticism.
B) pointillism.
C) orphism.
D) constructivism.
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A) hatching.
B) cross-hatching.
C) tenebrism.
D) simultaneous contrast.
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A) chiaroscuro.
B) perspective.
C) key.
D) perceptual key.
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A) blue
B) red
C) orange
D) violet
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A) light and color
B) stories from the bible
C) surrealistic landscapes
D) nude figures
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A) Leonardo DaVinci.
B) Michelangelo.
C) Artemesia Gentileschi.
D) Johann Wolfgang von Goethe.
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